1. Nobody Will Ever Miss Me 04:34 2. Defeated, I Carry Myself to the Gallows 03:39 3. Hate Thyself for the Callous World Cares Not 06:24 4. The Glorious Void 05:45
URANIUM - The Disfigure the Face of Man Demos (2022)
1. Disfigure the Face of Man 09:51 2. Rendered Adversary 04:34 3. The Stalking Darkness 04:56 4. You Won't Need Eyes to See 05:51 5. We All Fall Upon Our Swords 05:00 6. Behold the Eternal Spear 05:00 7. Tantric Death Meditation 08:45 8. Die Fascist Filth 05:25
Compilation of tracks released under the Disfigure the Face of Man name, whose project files have been since corrupted and lost to time. These raw tracks are essentially the demos that would come to forge the sound of URANIUM.
1. Absolute Terror 06:39 2. Pure Nuclear Death 06:11 3. Casual Violence 05:59 4. Fortified Mass Fungus 09:30 5. Black Knight Satellite 08:37
SRUIN191
American one-man nuclear black industrial weapon Uranium returns, transmuted into its most astonishing and terrifying form yet. A statement of unseen magnitude and scope, the second full length album "Pure Nuclear Death" sees the enigmatic East Coast visionary harness a realm of terror and death-torn sonic immensity rarely, if ever, seen before in this plane of reality. Clear from the title alone, "Pure Nuclear Death" embodies the triumph, definition and consecration of a vision and concept which in the span of a just a couple of years and releases so far has already become classic and by all standards and measures, simply unrivaled. Awe-inducing, imposing and inexorably devastating, "Pure Nuclear Death" comprises thirty six minutes, split up into five tracks, of omnipotent, death-heaving black industrial immensity designed to devour the listener and deliver to them a world-ending payload of absolute death. The legacy of bludgeoning, visionary post-industrial acts like Godflesh and early (Cop, Filth-era) SWANS transposed into total oblivion and coerced into a monstrous, lightless abyss of tectonic and crushing blackened electronics. An antihuman concept on nuclear energy and its most godly and terrifying traits incarnated in a sound which is its... more credits released October 6, 2023
Written, performed and recorded by AA Mastered by James Plotkin Artwork and layout by AA and MA
1. Bliss and Void 05:39 2. Traffic Warden 05:56 3. Descent Into Entropic Death 05:41 4. Concrete Tombs 06:03 5. Corrosion of Existence 12:34
SRUIN255 American nuclear black industrial weapon Uranium returns to embody industrial music’s most terrifying triumph. In its life-entombing thirty six minutes “Corrosion of Existence” takes the mysterious one man band’s concept of nuclear devastation to its most harrowing and inevitable conclusions, unfolding five new monstrous tracks of plutonium-fueled auditory terror that will dominate tyrannical above and beyond anything that the most lawless frontier of extreme industrial has ever fathomed or imagined. An immense industrial and blackened noise construct inspired by acts like Godflesh, Swans, Brighter Death Now, Gnaw Their Tongues, and Merzbow levitates out of a world-ending idealization, colliding with excoriations of techno and breakcore and as well as with black/death metal influences from bands like Teitanblood, Portal and Irkallian Oracle into an unimaginable cauldron of destruction. Like an unstoppable chain reaction that has evaded any containment, “Corrosion of Existence” exponentially escalates the destructive yield of its black/death metal-inspired 2023 predecessor album “Pure Nuclear Death”, transmuting its never-before-heard sonic assault into Uranium’s most oppressive and inescapable conquest. A gigantic gaping void is blown out into the architecture of existence, revealing a massive radioactive wound seared with layer upon layer upon layer of caustic sequences and smoldering synth tapestries. A downpour of robotic samples pounds like radioactive rain falling from a nuclear maelstrom, engulfing the biosphere and sending a gigantic swath of fallout to travel horizonless, burying everything in a suffocating sarcophagus of molten corium and melted concrete. Torrents of gnarled, sampled guitars and bass compound the destruction, while the album's tectonic drum racks push its cataclysmic yield into world-ending upheaval, as a roaring vault of coiling death grunts and apocalyptic proclamations invoke a god-like idealization of death itself. Every composite element of existence from single nucleuses, to atoms, to organic molecules and compounds like cells and DNA, all the way to planet-sized ecosystems are destroyed and vaporized in an onslaught of ionizing death radiating from Uranium’s all-devouring pandemonium
Insomnia
