oracion | Date: Sa, 28.07.2018, 03:04 | Post # 1 |
Colonel
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User #4172 Male Reg. 19.12.2017 07:17
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Various – Futurism & Dada Reviewed (1988)
Label: Sub Rosa – SUBCD012-19 Format: CD, Compilation Country: Europe Year: 1988 Genre: Electronic, Non-Music Style: Spoken Word, Experimental, Poetry
Tracks
1 Luigi Russolo – Risveglio Di Una Cita (1913) 3:45 2 Antonio Russolo – Corale (1921) 1:57 3 Filippo Tommaso Marinetti – Sintesi Musicali Futuriste (1931) 6:56 4 Antonio Russolo – Serenata (1921) 2:34 5 Filippo Tommaso Marinetti – La Battaglia Di Adrianopoli (1924) 3:05 6 Filippo Tommaso Marinetti – Definizione Di Futurismo (1924) 3:08 7 Luigi Grandi – Cavalli + Acciaio (1935) 2:45 8 Wyndham Lewis – End Of Enemy Interlude (1940) 1:20 9 Guillaume Apollinaire – Le Pont Mirabeau (1912) 1:14 10 Tristan Tzara / Marcel Janco / Richard Huelsenbeck – L'amiral Cherche Une Maison À Louer 2:30 11 Marcel Duchamp / Richard Huelsenbeck / Tristan Tzara – La Mariée Mise À Nu Par Ses Célibataires, Même / Inventing Dada (1959) / Dada Into Surrealism (1959) 10:05 12 Kurt Schwitters – Die Sonata In Urlauten (1932) 3:24 13 Jean Cocteau – La Toison d'Or (1929) 2:44 14 Jean Cocteau – Le Voleurs d'Enfants (1929) 3:42 15 Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même 10:04 16 Unknown Artist – Untitled 2:07
Distributed By – Play It Again Sam [PIAS] Published By – Copyright Control Glass Mastered At – DADC Austria Credits Artwork [Collage], Graphics [Graphism] – Joel Van Audenhaege Executive-Producer, Concept By [Conception], Compiled By [Selection] – James Neiss Layout [Production], Design – Frédéric Walheer, Guy Marc Hinant Liner Notes [Inside Sleeve Text] – James Neiss, Paul Hammond Notes File Under: Spoken Word / Historical Document
A 70 minute archive collection of original words, music and tone poems recorded by the original artists (where dated). The booklet, written by James Neiss (of Les Disques Du Crépuscule and Pias) and Paul Hammond (of Ultramarine), features detailed recording information and background notes on the artists featured. Tracks 10 and 15 are undated. Track 11 is separate recordings cut-up over a Duchamp tone poem. Track 16 is silent but for a needle clicking on a vinyl record and is not listed on the cover.
Available to users only
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