I think Vomir is the most ridiculous project on the noise scene in general. You know, tons of noise releases, which always the same , the only difference is more or less intense sound, but that's it . Actually , Romain said once that his noise machines are never turned off in his house , and this driving mad his wife , and when he about to make a release , he just push "rec" button. Amazing. Anyway, I can recommend the only release to listen to know entire Vomir. It's Proanomie . It full of all the things that makes Vomir recognizable.
User #41 Male Ashqelon Israel Reg. 15.12.2013 13:45
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QuoteRedneckBully ()
tons of noise releases, which always the same , the only difference is more or less intense sound
It it pretty common in the harsh noise wall genre specifically and in noise scene in general. And Vomir is not the first and not the last. At least he has some kind of "a story" behind it.
It it pretty common in the harsh noise wall genre specifically and in noise scene in general.
yup, I know it, thanks :). but when I listening to works of artists as The Rita, Dead Body Collection, Smrznik, Werewolf Jerusalem, who also plays pure walls, I always can find an audial difference between two works on one artist. Like, DBC's "Chromosomal Abnormality" and , as example, "Laryngeal Carcinoma" of the same act are competely different. But when I listen to Vomir, I always hear the same static wall over and over - no matter , if it is his solo work, or part of a split or a compilation - always the same sound , duration is only difference. And speaking of plots and conceptions , Richard Ramirez's ( as example again) projects are into so much conceptions - from homosexual erotism to medieval witchcraft, DBC always tries to create a special atmosphere in studio or during live perfomance , and I think " no dynamics, no change, no develompment, no idea" it's a quite poor concept.
User #41 Male Ashqelon Israel Reg. 15.12.2013 13:45
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QuoteRedneckBully ()
I always can find an audial difference
It's very individual feeling. I can't find an audial difference between ALL the harsh noise wall artists even when I like noise and harsh noise genres. Just to clarify the issue: I don't like Vomir and harsh noise wall genre in general. But I can understand why and for what. And the examples you gave are more exceptions and less the rule.
QuoteRedneckBully ()
poor concept
But still a concept. Most of the noise and harsh noise wall artists have no concept at all, but only explanations as "experiments with sounds".
I guess you right , it's mostly of individual perception, because ,for untrained ears, most of the noise music sounds equal. But if smb listen to nothing but noise and PE for a few years, sooner or later he starts to recognize the differences between artists , techniques, subgenres etc. However, straight speaking, the most of noise that produced nowadays is actually very similiar, and the modern noise trends are wierd enough .
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Most of the noise and harsh noise wall artists have no concept at all, but only explanations as "experiments with sounds".
This is it, and , but a very few exceptions , it always extremely boring. Say, Lasse Marhaug, Kevin Drumm, Daniel Menche are exactly that kind of noise artists. Their art is just a filler for a modern art galleries and a toy for floсks of hipsters.
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