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		<title>Die Militärmusik</title>
		<link>http://diemilitarmusik.clan.su/</link>
		<description>Die Militarmusik Forum</description>
		<lastBuildDate>Sun, 28 Nov 2021 11:35:14 GMT</lastBuildDate>
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			<title>Plebeian Grandstand</title>
			<link>https://diemilitarmusik.clan.su/forum/65-5202-1</link>
			<pubDate>Sun, 28 Nov 2021 11:35:14 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: mathcore, black metal, avantgarde. France&lt;br /&gt;Thread starter: saterize&lt;br /&gt;Last message posted by: saterize&lt;br /&gt;Number of replies: 2</description>
			<content:encoded>&lt;img src=&quot;https://img.discogs.com/b1JgCAuW-d0b1wZHIoR1RnWkXF0=/fit-in/300x300/filters:strip_icc():format(jpeg):mode_rgb():quality(40)/discogs-images/A-2074437-1637393222-5450.jpeg.jpg&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt;&lt;br /&gt;&lt;br /&gt;Plebeian Grandstand is a chaotic hardcore band from Toulouse (France), formed in the summer 2005.&lt;br /&gt;&lt;br /&gt;Its essential purpose is playing intense music which is to be releasing and liberating.&lt;br /&gt;&lt;br /&gt;&lt;a class=&quot;link&quot; href=&quot;https://www.discogs.com/artist/2074437-Plebeian-Grandstand&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Discogs&lt;/a&gt; | &lt;a class=&quot;link&quot; href=&quot;http://www.facebook.com/pages/PLEBEIAN-GRANDSTAND/160680714032&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Facebook&lt;/a&gt; | &lt;a class=&quot;link&quot; href=&quot;http://plebeiangrandstand.bandcamp.com/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Bandcamp&lt;/a&gt; | &lt;a class=&quot;link&quot; href=&quot;http://twitter.com/weareplebeian &quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Twitter&lt;/a&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>saterize</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-5202-1</guid>
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		<item>
			<title>G.I.S.M.</title>
			<link>https://diemilitarmusik.clan.su/forum/65-4169-1</link>
			<pubDate>Mon, 03 Sep 2018 19:14:25 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: Hardcore, Punk, Heavy Metal&lt;br /&gt;Thread starter: insomnia&lt;br /&gt;Last message posted by: Mekhanizm&lt;br /&gt;Number of replies: 5</description>
			<content:encoded>&lt;img src=&quot;https://thumb.ibb.co/giE1kK/A_1061856_1532773044_5255_jpeg.jpg&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt;&lt;br /&gt;&lt;br /&gt;Discogs: &lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.discogs.com/artist/1061856-GISM&quot; rel=&quot;nofollow&quot;&gt;https://www.discogs.com/artist/1061856-GISM&lt;/a&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>insomnia</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-4169-1</guid>
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			<title>Minor Threat</title>
			<link>https://diemilitarmusik.clan.su/forum/65-2704-1</link>
			<pubDate>Wed, 22 Nov 2017 22:43:04 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: hardcore punk. US, Washington, D.C.&lt;br /&gt;Thread starter: Mekhanizm&lt;br /&gt;Last message posted by: bobbyj&lt;br /&gt;Number of replies: 6</description>
			<content:encoded>&lt;img src=&quot;http://diemilitarmusik.clan.su/flgs/16i11/us.png&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt; // hardcore punk. US&lt;br /&gt;&lt;!--IMG1--&gt;&lt;a href=&quot;https://diemilitarmusik.clan.su/_fr/27/6221175.jpg&quot; class=&quot;ulightbox&quot; target=&quot;_blank&quot; title=&quot;Click to view in full size...&quot;&gt;&lt;img style=&quot;margin:0;padding:0;border:0;&quot; src=&quot;https://diemilitarmusik.clan.su/_fr/27/s6221175.jpg&quot; align=&quot;&quot; /&gt;&lt;/a&gt;&lt;!--IMG1--&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--uSpoiler--&gt;&lt;div class=&quot;uSpoilerClosed&quot; id=&quot;uSpoilerKWvOgd&quot;&gt;&lt;div class=&quot;uSpoilerButBl&quot;&gt;&lt;input type=&quot;button&quot; class=&quot;uSpoilerButton&quot; onclick=&quot;if($(&apos;#uSpoilerKWvOgd&apos;)[0]){if ($(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerKWvOgd&apos;))[0].style.display==&apos;none&apos;){$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerKWvOgd&apos;))[0].style.display=&apos;&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerKWvOgd&apos;)).val(&apos;Close spoiler&apos;);$(&apos;#uSpoilerKWvOgd&apos;).attr(&apos;class&apos;,&apos;uSpoilerOpened&apos;);}else {$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerKWvOgd&apos;))[0].style.display=&apos;none&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerKWvOgd&apos;)).val(&apos;Open spoiler&apos;);$(&apos;#uSpoilerKWvOgd&apos;).attr(&apos;class&apos;,&apos;uSpoilerClosed&apos;);}}&quot; value=&quot;Open spoiler&quot;/&gt;&lt;/div&gt;&lt;div class=&quot;uSpoilerText&quot; style=&quot;display:none;&quot;&gt;&lt;!--ust--&gt;&lt;br /&gt;Origin Washington, D.C.&lt;br /&gt;Genres Hardcore punk&lt;br /&gt;Years active 1980–1983&lt;br /&gt;Labels Dischord&lt;br /&gt;Associated acts Fugazi, Embrace, Dag Nasty, Negative Approach, The Teen Idles, Egg Hunt, Samhain, Necros, Junkyard, Bad Religion, Government Issue, The Meatmen&lt;br /&gt;&lt;br /&gt;Ian MacKaye – lead vocals (1980–1983) - Egg Hunt, Embrace, Fugazi, Minor Threat, Pailhead, Skewbald / Grand Union, The Evens, The Slinkees, The Teen Idles&lt;br /&gt;Lyle Preslar – guitar (1980–1983) - Meatmen, Minor Threat, Samhain&lt;br /&gt;Brian Baker – bass (1980–1982, 1983); guitar (1982–1983) - Bad Religion, Dag Nasty, Dead Fucking Last, Government Issue, Junkyard, Meatmen, Minor Threat&lt;br /&gt;Jeff Nelson – drums (1980–1983) - Egg Hunt, Fast Piece Of Furniture, Minor Threat, Skewbald / Grand Union, The High-Back Chairs, The Teen Idles, Three&lt;br /&gt;Steve Hansgen – bass (1982–1983) - Dot Dash, Emmapeel, Government Issue, Minor Threat, Modest Proposal, Second Wind&lt;br /&gt;&lt;br /&gt;Minor Threat was a hardcore punk band, formed in 1980 in Washington, D.C. and disbanded in 1983. The band was relatively short-lived, but had a strong influence on the punk scene, both stylistically and in establishing a &quot;do it yourself&quot; ethic for music distribution and concert promotion. Minor Threat&apos;s song &quot;Straight Edge&quot; became the eventual basis of the straight edge movement, with the band often professing their own &quot;straight edge&quot; ideals. AllMusic described Minor Threat&apos;s music as &quot;iconic&quot; and noted that their groundbreaking music &quot;has held up better than most of their contemporaries.&quot;&lt;br /&gt;&lt;br /&gt;Along with the fellow Washington, D.C. hardcore band Bad Brains and California band Black Flag, Minor Threat set the standard for many hardcore punk bands in the 1980s and 1990s. All of Minor Threat&apos;s recordings were released on Ian MacKaye and Jeff Nelson&apos;s own label, Dischord Records. The Minor Threat EP and their only full-length studio album Out of Step have received a number of accolades and are cited as landmarks of the hardcore punk genre.&lt;br /&gt;&lt;br /&gt;History&lt;br /&gt;&lt;br /&gt;Formation and early years&lt;br /&gt;&lt;br /&gt;Prior to forming Minor Threat in 1980, vocalist Ian MacKaye and drummer Jeff Nelson had played bass and drums respectively in the Teen Idles while attending Wilson High School. During their two-year career within the flourishing Washington D.C. hardcore punk scene, the Teen Idles had gained a following of around one hundred fans (a sizable amount at the time), and were seen as only second within the scene to the contemporary Bad Brains. MacKaye and Nelson were strong believers in the DIY mentality and an independent, underground music scene. After the breakup of the Teen Idles, they used the money earned through the band to create Dischord Records, an independent record label that would host the releases of the Teen Idles, Minor Threat, and numerous other D.C. punk bands.&lt;br /&gt;&lt;br /&gt;Eager to start a new band after the Teen Idles, MacKaye and Nelson recruited guitarist Lyle Preslar and bassist Brian Baker. They played their first performance in December 1980 to fifty people in a basement, opening for Bad Brains, The Untouchables, Black Market Baby and S.O.A., all D.C. bands.&lt;br /&gt;&lt;br /&gt;The band&apos;s first 7&quot; EPs, Minor Threat and In My Eyes, were released in 1981. The group became popular regionally and toured the east coast and Midwest.&lt;br /&gt;&lt;br /&gt;&quot;Straight Edge&quot;, a song from the band&apos;s first EP, helped to inspire the straight edge movement. The lyrics of the song call for abstinence from alcohol and other drugs, a novel ideology for rock musicians which initially found a small but dedicated following. Other prominent groups that subsequently advocated the straight edge stance include SS Decontrol and 7 Seconds.&lt;br /&gt;&lt;br /&gt;&quot;Out of Step&quot;, A Minor Threat song from their second EP, further demonstrates the said belief: &quot;Don&apos;t smoke/Don&apos;t drink/Don&apos;t fuck/At least I can fucking think/I can&apos;t keep up/I&apos;m out of step with the world.&quot; The &quot;I&quot; in the lyrics was usually only implied, mainly because it did not quite fit the rhythm of the song, like the updated version on the 1983 album Out of Step, which is slower, allotting a bridge where MacKaye explains his philosophy of straight edge, explaining that straight edge &quot;is not a set of rules; I&apos;m not telling you what to do. All I&apos;m saying is there are three things, that are like so important to the whole world that I don&apos;t happen to find much importance in, whether it&apos;s fucking, or whether it&apos;s playing golf, because of that, I feel... (chorus)&quot;. Some of the other members of Minor Threat, Jeff Nelson in particular, took exception to what they saw as MacKaye&apos;s imperious attitude on the song.&lt;br /&gt;&lt;br /&gt;Minor Threat&apos;s song &quot;Guilty of Being White&quot; led to some accusations of racism, but MacKaye has strongly denied such intentions and said that some listeners misinterpreted his words. He claims that his experiences attending Wilson High School, whose student population was 70 percent black, inspired the song. There, many students bullied MacKaye and his friends. Thrash metal band Slayer later covered the song, with the last iteration of the lyric &quot;Guilty of being white&quot; changed to &quot;Guilty of being right.&quot; In an interview, MacKaye stated that he was offended that some perceived racist overtones in the lyrics, saying, &quot;To me, at the time and now, it seemed clear it&apos;s an anti-racist song. Of course, it didn&apos;t occur to me at the time I wrote it that anybody outside of my twenty or thirty friends who I was singing to would ever have to actually ponder the lyrics or even consider them.&quot;&lt;br /&gt;&lt;br /&gt;Hiatus&lt;br /&gt;&lt;br /&gt;In the time between the release of the band&apos;s second seven-inch EP and the Out of Step record, the band briefly split when guitarist Lyle Preslar moved to Illinois to attend college for a semester at Northwestern University, Preslar was a member of Big Black for a few tempestuous rehearsals. During that period, MacKaye and Nelson put together a studio-only project called Skewbald/Grand Union; in a reflection of the slowly increasing disagreements between the two musicians, they were unable to decide on one name. The group recorded three untitled songs, which would be released posthumously as Dischord&apos;s 50th release. During Minor Threat&apos;s inactive period, Brian Baker also briefly played guitar for Government Issue and appeared on the Make an Effort EP.&lt;br /&gt;&lt;br /&gt;In March 1982, at the urging of Bad Brains&apos; H.R., Preslar left college to reform Minor Threat. The reunited band featured an expanded lineup: Steve Hansgen joined as the band&apos;s bassist and Baker switched to second guitar.&lt;br /&gt;&lt;br /&gt;When &quot;Out of Step&quot; was rerecorded for the LP Out of Step, MacKaye inserted a spoken section explaining, &quot;This is not a set of rules...&quot; An ideological door had already been opened, however, and by 1982, some straight-edge punks, such as followers of the band SS Decontrol, were swatting beers out of people&apos;s hands at clubs.&lt;br /&gt;&lt;br /&gt;Breakup&lt;br /&gt;&lt;br /&gt;Minor Threat broke up in 1983. A contributing factor was disagreement over musical direction. MacKaye was allegedly skipping practice sessions towards the end of the band&apos;s career, and he wrote the lyrics to the songs on the Salad Days EP in the studio. That was quite a contrast with the earlier recordings, as he had written and co-written the music for much of the band&apos;s early material. Minor Threat, which had returned to being a four-piece group with the departure of Hansgen, played its final show on September 23, 1983, at the Lansburgh Cultural Center in Washington, D.C., sharing the bill with go-go band Trouble Funk, and Austin, Texas, punk funk act the Big Boys. In a meaningful way, Minor Threat ended their final set with &quot;Last Song&quot;, which was the original title of &quot;Salad Days&quot;.&lt;br /&gt;&lt;br /&gt;Following the breakup, MacKaye stated that he did not &quot;check out&quot; on hardcore, but in fact hardcore &quot;checked out.&quot; Explaining this, he stated that at a 1984 Minutemen show, a fan struck MacKaye&apos;s younger brother Alec in the face, and he punched the fan back, then realizing that the violence was &quot;stupid,&quot; and that he saw his role in the stupidity. MacKaye claimed that immediately after this he decided to leave the hardcore scene.&lt;br /&gt;&lt;br /&gt;Subsequent activities&lt;br /&gt;&lt;br /&gt;In March 1984, six months after the band broke up, the EPs Minor Threat and In My Eyes were compiled together and re-released as the Minor Threat album.&lt;br /&gt;&lt;br /&gt;MacKaye went on to found Embrace with former members of the Faith, Egg Hunt with Jeff Nelson, and later Fugazi and the Evens, as well as collaborating on Pailhead.&lt;br /&gt;&lt;br /&gt;Baker went on to play in Junkyard, the Meatmen, Dag Nasty and Government Issue. He currently plays in Bad Religion.&lt;br /&gt;&lt;br /&gt;Preslar was briefly a member of Glenn Danzig&apos;s Samhain, and his playing appears on a few songs on the band&apos;s first record. He joined The Meatmen in 1984, along with fellow Minor Threat member Brian Baker. He later ran Caroline Records, signing and working with (among others) Peter Gabriel, Ben Folds, Chemical Brothers, and Idaho, and ran marketing for Sire Records. He graduated from Rutgers University School of Law and lives in New Jersey.&lt;br /&gt;&lt;br /&gt;Nelson played less-frantic alternative rock with Three and The High-Back Chairs before retiring from live performance. He runs his own label, Adult Swim Records, distributed by Dischord, and is a graphic artist and a political activist in Toledo, Ohio. The band&apos;s own Dischord Records released material by many bands from the Washington, D.C., area, such as Government Issue, Void, Scream, Fugazi, Artificial Peace, Rites of Spring, Gray Matter, and Dag Nasty, and has become a respected independent record label.&lt;br /&gt;&lt;br /&gt;Hansgen formed Second Wind with Rich Moore, a former Minor Threat roadie and drummer for the Untouchables. He also worked with Tool in 1992 on the production of their first EP, Opiate.&lt;br /&gt;&lt;br /&gt;Copyright issues&lt;br /&gt;&lt;br /&gt;&quot;Major Threat&quot;&lt;br /&gt;&lt;br /&gt;In 2005, a mock-up of the cover of Minor Threat&apos;s first EP (also used on the Minor Threat LP and Complete Discography CD) was copied by athletic footwear manufacturer Nike for use on a promotional poster for a skateboarding tour called &quot;Major Threat&quot;. Nike also altered Minor Threat&apos;s logo (designed by Jeff Nelson) for the same campaign, as well as featuring Nike shoes in the new picture, rather than the combat boots worn by Ian MacKaye&apos;s younger brother Alec on the original.&lt;br /&gt;&lt;br /&gt;MacKaye issued a press statement condemning Nike&apos;s actions and said that he would discuss legal options with the other members of the band. Meanwhile, fans, at the encouragement of Dischord, organized a letter-writing campaign protesting Nike&apos;s infringement. On June 27, 2005, Nike issued a statement apologizing to Minor Threat, Dischord Records, and their fans for the &quot;Major Threat&quot; campaign and said that all promotional artwork (print and digital) that they could acquire were destroyed.&lt;br /&gt;&lt;br /&gt;&quot;Salad Days&quot;&lt;br /&gt;&lt;br /&gt;On October 29, 2005, Fox played the first few seconds of Minor Threat&apos;s &quot;Salad Days&quot; during an NFL broadcast. Use of the song was not cleared by Dischord Records or any of the members of Minor Threat. Fox claimed that the clip was too short to have violated any copyrights.&lt;br /&gt;&lt;br /&gt;Wheelhouse Pickles&lt;br /&gt;&lt;br /&gt;In 2007, Brooklyn-based company Wheelhouse Pickles marketed a pepper sauce named &quot;Minor Threat Sauce&quot;. Requesting only that the original label design (which was based on the &quot;Bottled Violence&quot; artwork) be amended, Ian MacKaye gave the product his endorsement. A small mention of this was made in music magazine Revolver, where MacKaye commented &quot;I don&apos;t really like hot sauce but I like the Minor Threat stuff&quot;.&lt;br /&gt;&lt;br /&gt;Urban Outfitters&lt;br /&gt;&lt;br /&gt;In 2013, Minor Threat shirts began appearing in Urban Outfitters stores. Ian MacKaye confirmed that the shirts were officially licensed. Having spent what he described as &quot;a complete waste of time&quot; trying to track down bootlegged Minor Threat merchandise, MacKaye and Dischord made arrangements with a merchandise company in California to manage licensing of the bands shirts. In comments that appeared in Rolling Stone, MacKaye called it &quot;absurd&quot; for the shirts to be sold for $28 but concluded that &quot;my time is better spent doing other things&quot; than dealing with shirts. Dischord had taken action against Forever 21 in 2009 for marketing unlicensed Minor Threat shirts.&lt;br /&gt;&lt;br /&gt;Studio albums&lt;br /&gt;&lt;br /&gt;Out of Step (1983)&lt;br /&gt;&lt;br /&gt;Compilation albums&lt;br /&gt;&lt;br /&gt;Minor Threat (1984)&lt;br /&gt;Complete Discography (1989)&lt;br /&gt;&lt;br /&gt;EPs&lt;br /&gt;&lt;br /&gt;Minor Threat (1981)&lt;br /&gt;In My Eyes (1981)&lt;br /&gt;Salad Days (1985)&lt;br /&gt;&lt;br /&gt;Demos&lt;br /&gt;&lt;br /&gt;First Demo Tape (1981, released 2003)&lt;br /&gt;&lt;br /&gt;Compilation appearances&lt;br /&gt;&lt;br /&gt;Flex Your Head (1982) – &quot;Stand Up&quot;, &quot;12XU&quot;&lt;br /&gt;Dischord 1981: The Year in 7&quot;s (1995) contains the first two EPs&lt;br /&gt;20 Years of Dischord (2002) – &quot;Screaming at a Wall&quot;, &quot;Straight Edge&quot; (live), &quot;Understand&quot;, &quot;Asshole Dub&quot;&lt;br /&gt;Left of the Dial: Dispatches from the &apos;80s Underground (2004) – &quot;Straight Edge&quot;&lt;br /&gt;American Hardcore: The History of American Punk Rock 1980–1986 (2006) – &quot;Filler&quot;&lt;br /&gt;&lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Minor_Threat&quot; rel=&quot;nofollow&quot;&gt;https://en.wikipedia.org/wiki/Minor_Threat&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.discogs.com/artist/252202-Minor-Threat&quot; rel=&quot;nofollow&quot;&gt;https://www.discogs.com/artist/252202-Minor-Threat&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Minor Threat - (I&apos;m Not Your) Steppin&apos; Stone&lt;br /&gt;&lt;!--BBvideo--&gt;&lt;span id=&quot;scr16qi1DxuBI&quot;&gt;&lt;/span&gt;&lt;script type=&quot;text/javascript&quot;&gt;_uVideoPlayer({&apos;url&apos;:&apos;https://www.youtube.com/watch?v=9HUdb1OL3PA&apos;,&apos;width&apos;:&apos;640&apos;,&apos;height&apos;:&apos;360&apos;},&apos;scr16qi1DxuBI&apos;);&lt;/script&gt;&lt;!--/BBvideo--&gt;&lt;br /&gt;&lt;br /&gt;Minor Threat - Straight Edge&lt;br /&gt;&lt;!--BBvideo--&gt;&lt;span id=&quot;scr26qi1DxuBI&quot;&gt;&lt;/span&gt;&lt;script type=&quot;text/javascript&quot;&gt;_uVideoPlayer({&apos;url&apos;:&apos;https://www.youtube.com/watch?v=dctcVopIFjI&apos;,&apos;width&apos;:&apos;640&apos;,&apos;height&apos;:&apos;360&apos;},&apos;scr26qi1DxuBI&apos;);&lt;/script&gt;&lt;!--/BBvideo--&gt;&lt;br /&gt;&lt;!--/ust--&gt;&lt;/div&gt;&lt;/div&gt;&lt;!--/uSpoiler--&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>Mekhanizm</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-2704-1</guid>
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			<title>Warzone</title>
			<link>https://diemilitarmusik.clan.su/forum/65-2700-1</link>
			<pubDate>Tue, 18 Jul 2017 14:49:42 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: hardcore punk. US, NY&lt;br /&gt;Thread starter: Mekhanizm&lt;br /&gt;Last message posted by: Mekhanizm&lt;br /&gt;Number of replies: 11</description>
			<content:encoded>&lt;img src=&quot;http://diemilitarmusik.clan.su/flgs/16i11/us.png&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt; // hardcore/punk. US, NY&lt;br /&gt;&lt;!--IMG1--&gt;&lt;a href=&quot;https://diemilitarmusik.clan.su/_fr/27/0114821.jpg&quot; class=&quot;ulightbox&quot; target=&quot;_blank&quot; title=&quot;Click to view in full size...&quot;&gt;&lt;img style=&quot;margin:0;padding:0;border:0;&quot; src=&quot;https://diemilitarmusik.clan.su/_fr/27/s0114821.jpg&quot; align=&quot;&quot; /&gt;&lt;/a&gt;&lt;!--IMG1--&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--uSpoiler--&gt;&lt;div class=&quot;uSpoilerClosed&quot; id=&quot;uSpoiler7wSLhJ&quot;&gt;&lt;div class=&quot;uSpoilerButBl&quot;&gt;&lt;input type=&quot;button&quot; class=&quot;uSpoilerButton&quot; onclick=&quot;if($(&apos;#uSpoiler7wSLhJ&apos;)[0]){if ($(&apos;.uSpoilerText&apos;,$(&apos;#uSpoiler7wSLhJ&apos;))[0].style.display==&apos;none&apos;){$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoiler7wSLhJ&apos;))[0].style.display=&apos;&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoiler7wSLhJ&apos;)).val(&apos;Close spoiler&apos;);$(&apos;#uSpoiler7wSLhJ&apos;).attr(&apos;class&apos;,&apos;uSpoilerOpened&apos;);}else {$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoiler7wSLhJ&apos;))[0].style.display=&apos;none&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoiler7wSLhJ&apos;)).val(&apos;Open spoiler&apos;);$(&apos;#uSpoiler7wSLhJ&apos;).attr(&apos;class&apos;,&apos;uSpoilerClosed&apos;);}}&quot; value=&quot;Open spoiler&quot;/&gt;&lt;/div&gt;&lt;div class=&quot;uSpoilerText&quot; style=&quot;display:none;&quot;&gt;&lt;!--ust--&gt;&lt;br /&gt;Origin - Lower East Side, Manhattan, New York City, New York, United States&lt;br /&gt;Genres - Hardcore punk, street punk, thrash metal&lt;br /&gt;Years active - 1983–1997&lt;br /&gt;Labels - Caroline, Another Planet, Victory, Revelation&lt;br /&gt;&lt;br /&gt;Associated acts - Son of Sam, Danzig, D Generation, Murphy&apos;s Law, Homewreckers, Chrome Locust, The Chelsea Smiles, &lt;a class=&quot;link&quot; href=&quot;http://diemilitarmusik.clan.su/forum/36-2694-1&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Agnostic Front&lt;/b&gt;&lt;/a&gt;, Youth Defense League, Straight Ahead, The Psychos, UltraViolence, Trip 6, Rejuvenate, Youth of Today, Rival Schools, Quicksand, Gorilla Biscuits, Project X, Moondog, Walking Concert, Walter Walter, Judge, Two Barrels Burning, Sick of it All, Kill Your Idols, Grey Area, The Arsons, S.S.S.P., Vision, Higher Giant, No Redeeming Social Value&lt;br /&gt;&lt;br /&gt;Past members - Raymond Barbieri, Brad Davis, Todd Scofield, Tito (Sebastian Perez), Charlie Scalfani, Thomas Carroll, Luke Abbey, Jeff Rivera, Walter Schreifels, Frank Stracuzza, Paul Canade, John Ullman, Jay Vento, Eric Komst, Vincent Verga, Todd Hamilton, Brian Goss, Jason Lehrhoff, Tommy Rat, Lee Harrison, John Marino, Greg Cahill&lt;br /&gt;&lt;br /&gt;Warzone was a New York hardcore punk band formed on the Lower East Side of Manhattan in 1983. The band helped develop the New York hardcore sound, the hardcore skinhead style and the youth crew subgenre. During the band&apos;s 14 years and many line-up changes, their primarily hardcore sound was flavored by influences ranging from Oi! (they toured several times with The Business and played a cover of their song The Real Enemy), to traditional punk rock, and a heavy metal phase (on their self-titled LP, Warzone). Their fan base was diverse, with their concerts usually attended by skinheads, straight edge teens, metalheads and punks of all ages. Vice has written that &quot;one could argued that (Warzone) spearheaded the second and larger wave of hardcore bands that erupted in the NY scene in 1986-1987&quot;.&lt;br /&gt;&lt;br /&gt;Frontman Raymond &quot;Raybeez&quot; Barbieri was the band&apos;s only consistent member through the vast majority of its years. He joined the band in 1983 as the drummer (the same year he played drums on the debut Agnostic Front 7&quot; EP &quot;United Blood&quot;) later taking over vocal duties, after Warzone had already been in existence for two years (noting later, &quot;In a band that [had] been running for so long, there has to be something there&quot;). Raybeez remained the singer of Warzone until his death on September 11, 1997 due to pneumonia. A U.S. Navy veteran, he was receiving treatment in a Veterans Health Administration facility when the illness damaged his liver and took his life at the age of 35. A tribute sign, reading &quot;R.I.P Ray&quot; hung outside CBGB for some time following his death. For more than a year following his death, every release on the Victory Records label was dedicated to his memory, as well as two independent compilations. These albums — as well as benefit concerts following his death — raised funds for several non-profit groups Ray had worked for which helped at-risk youth.&lt;br /&gt;&lt;br /&gt;Barbieri sang lyrics urging unity and spoke out strongly against anything that divided the youth of America against itself. Their song &quot;Under 18&quot; decried the age-based discriminatory practices at many venues that demanded IDs for entry; &quot;War Between Races&quot; demanded an end to racial violence and prejudice within the hardcore scene, and &quot;Brother and Sisterhood&quot; encouraged young women and girls to become active in the traditionally male-dominated hardcore punk scene.&lt;br /&gt;&lt;br /&gt;Their concerts were often marred by violence, so Barbieri usually sang out in the crowd, using it as an opportunity to stop fights before security could respond. This tactic often cooled tempers more quickly than stopping the show might have, and prevented fans from being escorted out of the show. His position in the crowd rather than elevated on a stage also endeared him to fans in a way few other performers in the genre have ever achieved. Warzone fans were not simply encouraged to sing along, they often dictated the band&apos;s entire set list and even decided how long the group would play, with some sets lasting until Raybeez could barely speak.&lt;br /&gt;&lt;br /&gt;Albums&lt;br /&gt;&lt;br /&gt;Don&apos;t Forget The Struggle Don&apos;t Forget The Streets - Fist Records 		1987 			&lt;br /&gt;Open Your Eyes - Caroline Records 		1988 			&lt;br /&gt;Warzone - Caroline Records 		1989 			&lt;br /&gt;Old School To New School - Victory Records 		1994 			&lt;br /&gt;Live! In Mexico City ‎(Cass, Album) 	Discos Y Cintas Denver 	KASS-DSD-7063 1994 			&lt;br /&gt;The Sound Of Revolution - Victory Records 		1996 			&lt;br /&gt;Fight For Justice - Victory Records 		1997 			&lt;br /&gt;&lt;br /&gt;Singles &amp; EPs&lt;br /&gt;&lt;br /&gt;As One ‎(Cass, S/Sided) 	Not On Label 	none 	1986 			&lt;br /&gt;Lower East Side Crew E.P. - Revelation Records 1987 			&lt;br /&gt;Live At CBGB - Victory Records 		1993 			&lt;br /&gt;Cause For Alarm / Warzone - Cause For Alarm / Warzone - Victory Records 1995&lt;br /&gt;Warzone / Right Direction - Live In Europe 1995 ‎(7&quot;, EP, Red) Your! Records 	YR-8482 1995&lt;br /&gt;Lower East Side - Victory Records 		1996 			&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;&lt;br /&gt;Don&apos;t Forget The Struggle, Don&apos;t Forget The Streets / Open Your Eyes - Another Planet Records 1994 			&lt;br /&gt;The Victory Years - Victory Records 1998&lt;br /&gt;&lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;http://myspace.com/warzoneraybeez&quot; rel=&quot;nofollow&quot;&gt;http://myspace.com/warzoneraybeez&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Warzone_%28band%29&quot; rel=&quot;nofollow&quot;&gt;https://en.wikipedia.org/wiki/Warzone_%28band%29&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.discogs.com/artist/259978-Warzone-2&quot; rel=&quot;nofollow&quot;&gt;https://www.discogs.com/artist/259978-Warzone-2&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;!--BBvideo--&gt;&lt;span id=&quot;scr27OU1DwP08&quot;&gt;&lt;/span&gt;&lt;script type=&quot;text/javascript&quot;&gt;_uVideoPlayer({&apos;url&apos;:&apos;https://www.youtube.com/watch?v=N0GYnHAgUgk&apos;,&apos;width&apos;:&apos;640&apos;,&apos;height&apos;:&apos;360&apos;},&apos;scr27OU1DwP08&apos;);&lt;/script&gt;&lt;!--/BBvideo--&gt;&lt;br /&gt;&lt;!--/ust--&gt;&lt;/div&gt;&lt;/div&gt;&lt;!--/uSpoiler--&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>Mekhanizm</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-2700-1</guid>
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			<title>Agnostic Front</title>
			<link>https://diemilitarmusik.clan.su/forum/65-2694-1</link>
			<pubDate>Tue, 18 Jul 2017 12:52:51 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: hardcore punk. US, NY&lt;br /&gt;Thread starter: Mekhanizm&lt;br /&gt;Last message posted by: Mekhanizm&lt;br /&gt;Number of replies: 20</description>
			<content:encoded>&lt;img src=&quot;http://diemilitarmusik.clan.su/flgs/16i11/us.png&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt; // hardcore/punk. US, NY&lt;br /&gt;&lt;!--IMG1--&gt;&lt;img style=&quot;margin:0;padding:0;border:0;&quot; src=&quot;https://diemilitarmusik.clan.su/_fr/26/3693425.jpg&quot; align=&quot;&quot; /&gt;&lt;!--IMG1--&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--uSpoiler--&gt;&lt;div class=&quot;uSpoilerClosed&quot; id=&quot;uSpoilerqQKc2R&quot;&gt;&lt;div class=&quot;uSpoilerButBl&quot;&gt;&lt;input type=&quot;button&quot; class=&quot;uSpoilerButton&quot; onclick=&quot;if($(&apos;#uSpoilerqQKc2R&apos;)[0]){if ($(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerqQKc2R&apos;))[0].style.display==&apos;none&apos;){$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerqQKc2R&apos;))[0].style.display=&apos;&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerqQKc2R&apos;)).val(&apos;Close spoiler&apos;);$(&apos;#uSpoilerqQKc2R&apos;).attr(&apos;class&apos;,&apos;uSpoilerOpened&apos;);}else {$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerqQKc2R&apos;))[0].style.display=&apos;none&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerqQKc2R&apos;)).val(&apos;Open spoiler&apos;);$(&apos;#uSpoilerqQKc2R&apos;).attr(&apos;class&apos;,&apos;uSpoilerClosed&apos;);}}&quot; value=&quot;Open spoiler&quot;/&gt;&lt;/div&gt;&lt;div class=&quot;uSpoilerText&quot; style=&quot;display:none;&quot;&gt;&lt;!--ust--&gt;&lt;br /&gt;Agnostic Front is an American hardcore punk band, pioneer of the crossover thrash genre, formed in 1980. The band began playing hardcore punk similar to their contemporaries, and were thrust to the forefront of the burgeoning New York hardcore scene in the mid-1980s with their widely regarded 1984 classic Victim in Pain before incorporating thrash metal elements into their music.&lt;br /&gt;&lt;br /&gt;Formed by guitarist Vinnie Stigma (born Vincent Capuccio, formerly of the Eliminators) in December 1980, with Diego on bass and Rob Krekus on drums. Agnostic Front went through several singers, two of them being John Watson and Jimmy &quot;The Mad Russian&quot;, before settling with Roger Miret (former bass player of The Psychos). They soon added Ray Barbieri, aka Raybeez (&lt;a class=&quot;link&quot; href=&quot;http://diemilitarmusik.clan.su/forum/65-2700-1&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Warzone&lt;/b&gt;&lt;/a&gt;), on drums and Adam Mucci on bass. Their debut EP United Blood, released in 1983 on an indie label, has since become a collector&apos;s item.&lt;br /&gt;&lt;br /&gt;During its initial phase, the band consisted entirely of skinheads. Although this would change over time, Agnostic Front would continue to feature skinheads as part of their line-up. This led to a belief among some that the band espoused ultra-nationalist or fascist politics, an assertion denied by vocalist Roger Miret in a 1985 Flipside interview:&lt;br /&gt;&lt;br /&gt;&quot;...We&apos;re skinheads. And the skinheads in England have a very bad name like with the fascists and stuff like that. But this is America not England. Just because the skinheads are fascists over there doesn&apos;t mean we got to grow our hair out if we don&apos;t feel like it.... We love our country — but not necessarily how our government works.&apos;&lt;br /&gt;&lt;br /&gt;The follow-up, Victim in Pain (1984), is regarded as a seminal New York hardcore release. Dave Jones replaced Raybeez on drums and Rob Kabula took over on bass. In 1984, Jimmy &quot;The Kid&quot; Colletti from Justified Violence joined on drums when the band went to tour with The Exploited later that year. The album pushed the band to the forefront of New York&apos;s fledgling hardcore scene, which was centered around CBGB, where they played with bands like The Cro-Mags and Murphy&apos;s Law. Roger Miret asserts that all the songs on the album &quot;are totally inspired by the streets of New York and my life and what was going on with my friends. It was dangerous. We did what we had to do to survive by any means necessary. It was like a war or a battlefield, and we stood our ground&quot;.&lt;br /&gt;&lt;br /&gt;1986&apos;s Cause for Alarm was a difficult album to record, due to constant line-up changes and personnel problems. Released on Combat Records, it added thrash metal influences. With other bands such as Suicidal Tendencies and Stormtroopers of Death, this album would mark AF&apos;s foray into the world of crossover thrash. It also featured some lyrics written by Peter Steele and drumming by Louie Beateaux (also of Carnivore)&lt;br /&gt;&lt;br /&gt;With yet another new line-up, the band soon released Liberty and Justice for... in 1987. The album featured stripped down punk with a lack of thrash influences, yet it contained many metal-style guitar solos. It did not sell nearly as well as previous releases. Sometime later, Miret was arrested on drug charges after releasing a live album, and spent his time in prison writing new songs while Stigma and the band toured Europe for the first time. The lyrics written by Miret while incarcerated formed most of 1992&apos;s One Voice, which featured members of Madball and Sick of It All. Not long after its release, the band decided to call it quits. Their last show was at CBGB on December 20, 1992; Last Warning, which was also released with United Blood EP on the end of the release. Vinnie Stigma apparently remarked that he hated Last Warning.&lt;br /&gt;&lt;br /&gt;Stigma and Miret reformed Agnostic Front in May 1996 and did a few reunion shows in December 1996, signing to Epitaph Records and recruiting Jimmy Colletti on drums and Rob Kabula, who was playing with Against The Grain at the time, on bass. Their latest venture was titled Something&apos;s Gotta Give, although Miret announced in the U.K. the original title would be Today, Tomorrow, Forever. In 1999, they followed up with Riot, Riot, Upstart. They also won an MTV award for the title track music video. Their comeback albums have sold well and been mostly acclaimed by music critics for their pure hardcore punk sound.&lt;br /&gt;&lt;br /&gt;In 2001, they released the album Dead Yuppies. Songs from this album were rarely played live, as the band considered it more a product of Loved and Hated, Jimmy Colletti&apos;s side-project band.&lt;br /&gt;&lt;br /&gt;In 2002, Miret worked on a side-project band, Roger Miret and the Disasters, looking for a sound akin to old school punk rock and oi!. Also that year, the band appeared in Matthew Barney&apos;s film, Cremaster 3 along with Murphy&apos;s Law.&lt;br /&gt;&lt;br /&gt;Agnostic Front came out in 2004 with Another Voice. The album was regarded mainly as a follow-up to One Voice. The album, however, did receive some criticism from fans and the press for apparently changing their music to fit the current wave of &apos;tough guy&apos; bands. Musically, the album bears resemblance to bands that were heavily influenced by Agnostic Front, such as Hatebreed. Miret&apos;s vocals on the album particularly seemed to turn off many less hardcore punk-oriented fans. Later, the track &quot;Peace&quot; was contributed to the mash-up album Threat: Music That Inspired The Movie, where it was remixed by Schizoid and renamed &quot;World At War.&quot;&lt;br /&gt;&lt;br /&gt;On March 7, 2006, Agnostic Front released their long-awaited DVD &quot;Live at CBGB&quot;. This follows the efforts of many bands that tried to save CBGB from shutting down. Even though Miret claims that &quot;We played more shows at CBGB than any band ever, and we played more benefit shows for CBGB than any band ever&quot; when the club did close most nostalgia focused on 1970s punk bands.&lt;br /&gt;&lt;br /&gt;On November 6, 2007, Agnostic Front released the album Warriors with the hit &quot;For My Family&quot; which was largely a continuation of the band&apos;s crossover thrash sound.&lt;br /&gt;&lt;br /&gt;For the 25th anniversary of their debut LP Victim in Pain, Bridge Nine Records released remastered versions of said album along with their first EP, United Blood, on November 17, 2009.&lt;br /&gt;&lt;br /&gt;The band performed on the Persistence Tour in Europe in the winter of 2009 and have also been confirmed for Rebellion Festival 2012 in Blackpool, U.K.&lt;br /&gt;&lt;br /&gt;In 2015 the band released the LP The American Dream Died via Nuclear Blast Records which consisted mostly of the bands older style of music with a modern touch. The band continued to tour extensively in Europe as well as the U.S. in support of the record, appearing with bands like Freedom (Detroit) that also pay tribute to the band&apos;s older style.&lt;br /&gt;&lt;br /&gt;Members&lt;br /&gt;&lt;br /&gt;Current&lt;br /&gt;Roger Miret – vocals (1982–present)&lt;br /&gt;Vinnie Stigma – guitar (1980–present)&lt;br /&gt;Mike Gallo – bass (2000–present)&lt;br /&gt;Pokey Mo – drums (2009–present)&lt;br /&gt;Craig Silverman – guitar (2014–present)&lt;br /&gt;&lt;br /&gt;Former&lt;br /&gt;Raymond &quot;Raybeez&quot; Barbieri – drums (1982–1983)&lt;br /&gt;Adam Mucci – bass (1982–1983)&lt;br /&gt;Dave Jones – drums (1983–1985)&lt;br /&gt;Rob Kabula – bass (1983–1987, 1997–2000)&lt;br /&gt;Gordon Ancis – guitar (1986–1987)&lt;br /&gt;Joe &quot;Fish&quot; Montanaro – drums (1986–1987)&lt;br /&gt;Louie Beato – drums (1986)&lt;br /&gt;Alex Kinon – guitar (1985–1986)&lt;br /&gt;Alan Peters – bass (1987–1990)&lt;br /&gt;Steve Martin – guitar (1987–1990)&lt;br /&gt;Will Shepler – drums (1987–1993)&lt;br /&gt;Craig Setari – bass (1990–1993)&lt;br /&gt;Matt Henderson – guitar (1990–1993)&lt;br /&gt;Jimmy Colletti – drums (1997–2004)&lt;br /&gt;Steve Gallo – drums (2004–2009)&lt;br /&gt;Joseph James – guitar (2007–2014)&lt;br /&gt;&lt;br /&gt;Albums&lt;br /&gt;&lt;br /&gt;Victim In Pain Rat Cage Records 		1984&lt;br /&gt;Cause For Alarm Combat Core 		1986&lt;br /&gt;Liberty &amp; Justice For... Combat 		1987&lt;br /&gt;Live At CBGB In-Effect 		1989&lt;br /&gt;One Voice Relativity 		1991&lt;br /&gt;Something&apos;s Gotta Give Epitaph 		1998&lt;br /&gt;Riot, Riot, Upstart Epitaph 		1999&lt;br /&gt;Dead Yuppies Epitaph 		2001&lt;br /&gt;Agnostic Front / Discipline - Working Class Heroes I Scream Records 		2002&lt;br /&gt;Another Voice Nuclear Blast 		2004&lt;br /&gt;Live At CBGB Nuclear Blast 		2006&lt;br /&gt;Warriors Nuclear Blast 2007&lt;br /&gt;My Life My Way Nuclear Blast 		2011&lt;br /&gt;The American Dream Died Nuclear Blast 		2015&lt;br /&gt;&lt;br /&gt;Singles &amp; EPs&lt;br /&gt;&lt;br /&gt;United Blood e.p. Not On Label (Agnostic Front Self-released) 		1983&lt;br /&gt;Do Or Die / Rage DEA 1997&lt;br /&gt;Puro Des Madre Hellcat Records 		1998&lt;br /&gt;Dropkick Murphys / Agnostic Front - Unity Flat Records 1999&lt;br /&gt;Police State Epitaph 		1999&lt;br /&gt;Por Vida Grapes Of Wrath 		2001&lt;br /&gt;Believe ‎(10&quot;, Pic) 	Vacation House Records 	VH055 	2003&lt;br /&gt;Agnostic Front / Helltrain - Peace / Route 666 ‎(CD, Single, Promo) 	Nuclear Blast 	NB 1386-2 2004&lt;br /&gt;For My Family Bridge Nine Records 		2007&lt;br /&gt;That&apos;s Life Bridge Nine Records 		2011&lt;br /&gt;Police Violence Bridge Nine Records 		2015&lt;br /&gt;Iron Chin Strength Records 2017&lt;br /&gt;Agnostic Front, Powerhouse - Agnostic Front / Powerhouse - Split Pitchfork Label 		2017&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;&lt;br /&gt;Cause For Alarm / Victim In Pain Combat Core 		1986&lt;br /&gt;Cause For Alarm / Liberty And Justice For ... Rough Justice 		1991&lt;br /&gt;The Best Of...To Be Continued Rough Justice 		1992&lt;br /&gt;Last Warning Roadrunner Records 		1993&lt;br /&gt;Raw Unleashed ‎(CD, Comp) 	Grand Theft Audio 	GTA 002 	1995&lt;br /&gt;One Voice + Last Warning ‎(Cass, Comp) 	Metal Mind Records 	MASS 0275 	1997&lt;br /&gt;A Box Of Hurt And Hate ‎(Box, Comp, Ltd, Num + 3xLP, Album, Pic) Street Justice Records SJR017-LP, SJR017-2P, SJR017-3P 2006&lt;br /&gt;No One Rules Radio Raheem 		2014&lt;br /&gt;Original Album Collection: Discovering Agnostic Front ‎(Comp, Ltd, Sli + CD, Album, RE, Car + CD, Album, R) 	Century Media 	88985319402 	2016&lt;br /&gt;Warriors / My Life My Way ‎(CD, Album + CD, Album + Comp) Nuclear Blast 	NB 3911-2, 27361 39112 	2017&lt;br /&gt;&lt;br /&gt;Videos&lt;br /&gt;&lt;br /&gt;Agnostic Front / Gorilla Biscuits / Sick Of It All - Live In N.Y.C. &apos;91 ‎(VHS) 	In-Effect 	88561-3018-3 	1991&lt;br /&gt;Live In Würzburg &quot;Crucified&quot; ‎(DVD, Ltd) 	Subversive Rock Productions 	SRP DVD 0503 	2005&lt;br /&gt;&lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;http://www.agnosticfront.com/&quot; rel=&quot;nofollow&quot;&gt;http://www.agnosticfront.com/&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://myspace.com/agnosticfront&quot; rel=&quot;nofollow&quot;&gt;https://myspace.com/agnosticfront&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;http://www.facebook.com/agnosticfront&quot; rel=&quot;nofollow&quot;&gt;http://www.facebook.com/agnosticfront&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Agnostic_Front&quot; rel=&quot;nofollow&quot;&gt;https://en.wikipedia.org/wiki/Agnostic_Front&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.discogs.com/artist/252681-Agnostic-Front&quot; rel=&quot;nofollow&quot;&gt;https://www.discogs.com/artist/252681-Agnostic-Front&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Agnostic Front - Gotta Go - 1998 - Something&apos;s Gotta Give&lt;br /&gt;&lt;!--BBvideo--&gt;&lt;span id=&quot;scr152D1Dx1qy&quot;&gt;&lt;/span&gt;&lt;script type=&quot;text/javascript&quot;&gt;_uVideoPlayer({&apos;url&apos;:&apos;https://www.youtube.com/watch?v=7Mn1WN5yeag&apos;,&apos;width&apos;:&apos;640&apos;,&apos;height&apos;:&apos;360&apos;},&apos;scr152D1Dx1qy&apos;);&lt;/script&gt;&lt;!--/BBvideo--&gt;&lt;br /&gt;&lt;!--/ust--&gt;&lt;/div&gt;&lt;/div&gt;&lt;!--/uSpoiler--&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>Mekhanizm</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-2694-1</guid>
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		<item>
			<title>Youth Of Today</title>
			<link>https://diemilitarmusik.clan.su/forum/65-2703-1</link>
			<pubDate>Tue, 18 Jul 2017 10:36:16 GMT</pubDate>
			<description>Forum: &lt;a href=&quot;https://diemilitarmusik.clan.su/forum/65&quot;&gt;Hardcore&lt;/a&gt;&lt;br /&gt;Thread description: hardcore punk. US, Danbury, Connecticut&lt;br /&gt;Thread starter: Mekhanizm&lt;br /&gt;Last message posted by: Mekhanizm&lt;br /&gt;Number of replies: 6</description>
			<content:encoded>&lt;img src=&quot;http://diemilitarmusik.clan.su/flgs/16i11/us.png&quot; border=&quot;0&quot; alt=&quot;&quot;/&gt; // hardcore/punk. US&lt;br /&gt;&lt;!--IMG1--&gt;&lt;a href=&quot;https://diemilitarmusik.clan.su/_fr/27/1167143.jpg&quot; class=&quot;ulightbox&quot; target=&quot;_blank&quot; title=&quot;Click to view in full size...&quot;&gt;&lt;img style=&quot;margin:0;padding:0;border:0;&quot; src=&quot;https://diemilitarmusik.clan.su/_fr/27/s1167143.jpg&quot; align=&quot;&quot; /&gt;&lt;/a&gt;&lt;!--IMG1--&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--uSpoiler--&gt;&lt;div class=&quot;uSpoilerClosed&quot; id=&quot;uSpoilerBbPna5&quot;&gt;&lt;div class=&quot;uSpoilerButBl&quot;&gt;&lt;input type=&quot;button&quot; class=&quot;uSpoilerButton&quot; onclick=&quot;if($(&apos;#uSpoilerBbPna5&apos;)[0]){if ($(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerBbPna5&apos;))[0].style.display==&apos;none&apos;){$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerBbPna5&apos;))[0].style.display=&apos;&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerBbPna5&apos;)).val(&apos;Close spoiler&apos;);$(&apos;#uSpoilerBbPna5&apos;).attr(&apos;class&apos;,&apos;uSpoilerOpened&apos;);}else {$(&apos;.uSpoilerText&apos;,$(&apos;#uSpoilerBbPna5&apos;))[0].style.display=&apos;none&apos;;$(&apos;.uSpoilerButton&apos;,$(&apos;#uSpoilerBbPna5&apos;)).val(&apos;Open spoiler&apos;);$(&apos;#uSpoilerBbPna5&apos;).attr(&apos;class&apos;,&apos;uSpoilerClosed&apos;);}}&quot; value=&quot;Open spoiler&quot;/&gt;&lt;/div&gt;&lt;div class=&quot;uSpoilerText&quot; style=&quot;display:none;&quot;&gt;&lt;!--ust--&gt;&lt;br /&gt;Origin Danbury, Connecticut, USA&lt;br /&gt;Genres Hardcore punk, youth crew&lt;br /&gt;Years active 1985–1990, 1994, 1999, 2003-2004, 2010–present&lt;br /&gt;Labels Revelation Records&lt;br /&gt;Associated acts Shelter, Better Than a Thousand, Violent Children, Gorilla Biscuits, CIV, Judge, Into Another&lt;br /&gt;&lt;br /&gt;Youth of Today is an American hardcore punk band, initially active from 1985 to 1990 before reforming in 2010. The band played a major role in establishing the &quot;Youth Crew&quot; subculture of hardcore, both espousing and evolving the philosophies of the straight edge and vegetarian lifestyles.&lt;br /&gt;&lt;br /&gt;After the band&apos;s dissolution, vocalist Ray Cappo became involved in the Hare Krishna movement and formed the bands Shelter and Better Than a Thousand. Youth of Today is currently composed of Cappo and guitarist John Porcelly, both founding members, as well as bassist Ken Olden and drummer Vinny Panza.&lt;br /&gt;&lt;br /&gt;Youth Of Today was formed in Danbury, Connecticut in 1985 by two members of the hardcore band Violent Children, Ray Cappo (vocals) and John Porcelly (Porcell) (guitar) were aiming to start a Straight Edge band at a time when most old school straight edge bands had disbanded. Having difficulty finding a bassist and drummer, Ray and Porcell found help from two high school friends, Graham Phillips and Darren Pesce, who had played with Porcell in a band called The Young Republicans in the past.&lt;br /&gt;&lt;br /&gt;In 1985, Youth Of Today recorded their debut EP Can&apos;t Close My Eyes for Kevin Seconds&apos; (singer of the popular hardcore band 7 Seconds) label Positive Force Records. At the same time the band contributed five songs to the Connecticut Fun compilation album; these tracks would later be combined with the aforementioned release to make the album version of Can&apos;t Close My Eyes that is commonly recognized today.&lt;br /&gt;&lt;br /&gt;After touring for a while both Graham and Darren left the band, and two members of New York band Straight Ahead joined Ray and John, Craig Setari (bass) and Tommy Carroll (drums). Tommy left during their second tour, and Drew Thomas, drummer of brother band Crippled Youth (who later changed their name to Bold), was asked to finish the rest of the tour.&lt;br /&gt;&lt;br /&gt;A short while later, Underdog vocalist Richie Birkenhead joined the band on second guitar. With this line-up, the first Youth Of Today album was recorded, entitled Break Down The Walls, and released by Wishingwell Records, the label of California straight edge bands Unity and Uniform Choice. Soon after recording the album Drew was replaced by Mike &quot;Judge&quot; (later to be the singer, along with John Porcelly on guitar, in the band Judge).&lt;br /&gt;&lt;br /&gt;Craig left to reform Straight Ahead (and later played in Agnostic Front and Sick Of It All), and Walter Schreifels of Gorilla Biscuits joined on as the new bassist. At the end of the Break Down The Walls tour that followed the release of the LP, second guitarist Richie left the band to concentrate on singing in Underdog, and with that line-up Youth Of Today appeared with two songs on the Revelation Records compilation &quot;New York Hardcore - The Way It Is&quot;, alongside New York bands like Bold, Gorilla Biscuits, Side By Side and Sick of it All.&lt;br /&gt;&lt;br /&gt;At the end of 1987, Mike left the band, and Sammy Siegler (ex-Side by Side) became the new drummer. In 1988, Youth Of Today recorded their classic second LP &quot;We&apos;re Not In This Alone&quot;, which was released in America by Caroline Records and in Europe by both We Bite Records and Funhouse Records. The beginning of the next year, Youth Of Today, whose line-up was steady at last, did a European tour- playing shows in: Sweden, Norway, Denmark, Germany, Switzerland, Austria, Yugoslavia, Italy, France, Belgium, the Netherlands and England. In 1990, Youth Of Today decided to quit and recorded 4 songs for a farewell 7&quot; on Revelation Records. Three of those songs appeared on the single &quot;Disengage&quot;.&lt;br /&gt;&lt;br /&gt;When Youth Of Today split, it seemed the beginning of the end for the second straight edge wave, which had begun in 1985, and which was at its height in 1988–1990. Together with bands like Uniform Choice, Gorilla Biscuits, No For An Answer, and Chain of Strength, Youth Of Today were an inspiration for hundreds of bands all over the world, who combined the message of positive thinking and straight edge with energetic and fast hardcore, as well as an inspiration for hundreds of thousands of kids to live and lead a positive drug-free life.&lt;br /&gt;&lt;br /&gt;Ray Cappo of Youth of Today started the Hare Krishna band Shelter, and was later joined by Porcell. Walter was playing guitar in Gorilla Biscuits from 1986 until their end, and was joined on the European tour of Gorilla Biscuits in 1990 by Porcell and Sammy on guitar and drums. After the split of Gorilla Biscuits, Walter started Quicksand, and later on, Rival Schools and Walking Concert. Sammy later played drums in CIV (which featured members of Gorilla Biscuits) and multiple other bands, including Limp Bizkit.&lt;br /&gt;&lt;br /&gt;Aside from several one-off reunion shows, Youth of Today did a European reunion tour in 2003 with original members Ray, Porcell and Sammy. Ray&apos;s friend Ken Olden from Battery and Better Than A Thousand filled in on bass. In fall 2010, they again started for a small reunion tour through Europe starting on September 16, in Lyss, Switzerland. A first-ever South American tour was scheduled for the first week of December 2010, taking Youth Of Today to countries like Peru, Chile, Argentina and Brazil.&lt;br /&gt;&lt;br /&gt;They played two shows in Russia, and two in Oslo, Norway during the 3rd week in March 2011 Youth of Today played the U Street Music Hall in Washington, D.C. on June 3, 2011. Opening bands were Mouthpiece and Give. They played a show at the Glasshouse in Pomona, CA, and another show at the Chaos in Tejas festival in June 2011. They played at the Getaway Rock festival in Gävle, Sweden 7–9 July 2011. Youth of Today played at New Direction Fest #2 in Olbia - Sardinia 10 July 2011. They also played &quot;This is Hardcore&quot; on August 12, The show sold out. The group played Riot Fest in Chicago opening for Danzig and Doyle playing Misfits songs on Friday, October 7, 2011. The band played at the Within These Walls fest in Mesa, AZ Friday, September 21, 2012. On April 28, 2016, Youth of Today played in Berlin, Germany, and the next day in Meerhout, Belgium. The show included former members Sammy, on drums, and Walter, on bass.&lt;br /&gt;&lt;br /&gt;Current&lt;br /&gt;&lt;br /&gt; Ray Cappo – vocals (1985–1990, 1994, 1999, 2004, 2010–present)&lt;br /&gt; John Porcelly – guitar (1985–1990, 1994, 1999, 2004, 2010–present)&lt;br /&gt; Walter Schreifels – bass (1987–1990, 1994, 2016–present)&lt;br /&gt; Sammy Siegler – drums (1987–1990, 1994, 1999, 2004, 2016–present)&lt;br /&gt;&lt;br /&gt;Former&lt;br /&gt;&lt;br /&gt; Richie Birkenhead – guitar (1986–1987)&lt;br /&gt; Graham Phillips – bass (1985–1986)&lt;br /&gt; Craig Setari – bass (1986–1987)&lt;br /&gt; Lukey Luke – bass (1987)&lt;br /&gt; Tim Brooks- bass (1999)&lt;br /&gt; Ken Olden – bass (2004, 2010–2016)&lt;br /&gt; Darren Pesce – drums (1985–1986)&lt;br /&gt; Kevin Seconds – drums (1986)&lt;br /&gt; Tommy Carroll – drums (1986)&lt;br /&gt; Drew Thomas – drums (1986–1987)&lt;br /&gt; Mike &quot;Judge&quot; – drums (1987)&lt;br /&gt; Vinny Panza – drums (2010–2016)&lt;br /&gt; Steve Reddy – vocals (For one show in 1987. Ray played bass, Walter broke his ankle before the show)&lt;br /&gt;&lt;br /&gt;Albums&lt;br /&gt;&lt;br /&gt;Break Down The Walls - Wishingwell Records 		1986 			&lt;br /&gt;Can&apos;t Close My Eyes - Caroline Records 		1988 			&lt;br /&gt;We&apos;re Not In This Alone - Caroline Records 		1988 			&lt;br /&gt;Take A Stand (Live) - Lost And Found Records 		1992 			&lt;br /&gt;A Time We&apos;ll Remember ‎(CD, Album) 	Supersoul Recordings SS-08 	2003&lt;br /&gt;Change ‎(Cass) 	Koma Tapes 	KOMA 009 	Unknown 			&lt;br /&gt;&lt;br /&gt;Singles &amp; EPs&lt;br /&gt;&lt;br /&gt;Can&apos;t Close My Eyes E.P. - Positive Force Records 		1985 			&lt;br /&gt;Disengage - Revelation Records 1990 			&lt;br /&gt;Live At Van Hall, Amsterdam, 1989 ‎(7&quot;, EP, Gre) 	Commitment Records 	COM1 	1996&lt;br /&gt;Live At CBGB&apos;s - Reality Records 1998 			&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;&lt;br /&gt;Bold / Youth Of Today - Speak Out / Break Down The Walls ‎(CD, Comp) Revelation Records Revelation 8/9 CD 1988&lt;br /&gt;Break Down The Walls / Can&apos;t Close My Eyes ‎(CD, Comp) We Bite Records WB 05253 1989&lt;br /&gt;&lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.facebook.com/youthoftodayofficial/&quot; rel=&quot;nofollow&quot;&gt;https://www.facebook.com/youthoftodayofficial/&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://en.wikipedia.org/wiki/Youth_of_Today&quot; rel=&quot;nofollow&quot;&gt;https://en.wikipedia.org/wiki/Youth_of_Today&lt;/a&gt; &lt;br /&gt;&lt;a class=&quot;link&quot; target=&quot;_blank&quot; href=&quot;https://www.discogs.com/artist/259977-Youth-Of-Today&quot; rel=&quot;nofollow&quot;&gt;https://www.discogs.com/artist/259977-Youth-Of-Today&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;i&gt;Youth Of Today - No More - 1988 We&apos;re Not In This Alone&lt;/i&gt;&lt;br /&gt;&lt;!--BBvideo--&gt;&lt;span id=&quot;scr05Hd1Dxouz&quot;&gt;&lt;/span&gt;&lt;script type=&quot;text/javascript&quot;&gt;_uVideoPlayer({&apos;url&apos;:&apos;https://www.youtube.com/watch?v=nFUqrzCZOuo&apos;,&apos;width&apos;:&apos;640&apos;,&apos;height&apos;:&apos;360&apos;},&apos;scr05Hd1Dxouz&apos;);&lt;/script&gt;&lt;!--/BBvideo--&gt;&lt;br /&gt;&lt;!--/ust--&gt;&lt;/div&gt;&lt;/div&gt;&lt;!--/uSpoiler--&gt;</content:encoded>
			<category>Hardcore</category>
			<dc:creator>Mekhanizm</dc:creator>
			<guid>https://diemilitarmusik.clan.su/forum/65-2703-1</guid>
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